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CURRENT EXHIBITION

Blood as Thick as Water
group exhibition

February 13 – March 22, 2025

Participating artists: Andrius Alvarez-Backus, Sebastian Ore Blas, Adam de Boer, Peter Hong Tsun Chan, Henry Hung Chang, Sylvia Trotter Ewens, Christina Lucia Giuffrida, Yifan Jiang, Darina Karpov, Kwesi O. Kwarteng, Azadeh Nia, Shuto Okayasu, Benny Or, Diana Sinclair, Tang Shuo, Felandus Thames, Shingo Yamazaki.

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Living in the US, the UK or Canada, artists in Blood as Thick as Water evoke their connection to the land of their ancestors located elsewhere. The term "diaspora" comes from the Greek speiro, which means "I scatter." When leaves or ashes are scattered, they decompose and nourish the earth, producing new growth. Although with time the bloodlines can get diluted or forgotten, genetic and cultural memory — or a residue of it — still remains. Blood as Thick as Water features artists with roots in Africa, Australia, Eurasia, Latin America and the Caribbean who connect with their heritage, washing away residual traumas or soothing them by acknowledging, understanding or reimagining real and contested histories. 

 

Felandus Thames
King David of the People's Republic of Harlem, 2024

beads on coated wire

84.75 x 48 x 4 in.

Kwesi O Kwarteng, New Bonds, 2022, dyed

Kwesi O. Kwarteng
New Bonds, 2024

dyed canvas, culturally significant fabrics

68 x 56 in.

Shuto Okayasu
The Light of Probability, 2024

acrylic on canvas

60 x 46 in.

Diana Sinclair, Weeping Angel, De_Recomposition series, 5, 2024, multimedia cyanotype on c

Diana Sinclair
Weeping Angel (De/Recomposition Series, 5), 2025

multimedia cyanotype on cloth stretched over canvas

46 x 46 in.

Diana Sinclair, Return to the Womb, De_Recomposition series, 1, 2024, multimedia cyanotype

Diana Sinclair
Return to the Womb (De/Recomposition Series, 1), 2025

multimedia cyanotype on cloth stretched over canvas

46 x 46 in.

Diana Sinclair, Do Not Weep for Me, I Jumped, De_Recomposition series, 2, 2024, multimedia

Diana Sinclair
Do Not Weep for Me, I Jumped (De/Recomposition Series, 2), 2025

multimedia cyanotype on cloth stretched over canvas

46 x 46 in.

Night on Echo Park Lake.jpg

Adam de Boer
Echo Park Lake, 2024

batik and oil on linen
35.5 x 51 in.

Sebastian Ore Blas
Three Legged Table, 2025

oil on canvas

64 x 42 in.

Darina Karpov, Relay, 2024, oil on linen, 32x48 in_edited.jpg

Darina Karpov
Relay, 2024

oil on linen

32 x 48 in.

Tang Shuo
The Distance, 2024

oil on linen

43.3 x 35.4 in.

Andrius Alvarez-Backus, This is How You Hold Me, 2024, assorted textiles, reclaimed iron w

Andrius Alvarez-Backus
This is How You Hold Me, 2024

assorted textiles, reclaimed iron window bars, silicone, chalk pastel, tempera

68 x 48 x 4 in.

Kwesi O Kwarteng, Friendly Ties #1, 2022

Kwesi O. Kwarteng
Friendly Ties #1, 2024

dyed canvas, culturally significant fabrics

44 x 32 in.

Shingo Yamazaki, Float, 2023, oil on canvas, 40x30in_edited.jpg

Shingo Yamazaki
Float, 2023

oil on canvas

40 x 30 in.

Christina Lucia Giuffrida
The Lookout, 2025

paper stretched over panel, gouache, dispersion pigment, acrylic

40 x 32 in.

Peter Hong Tsun Chan
To Play Pretend, 2022

oil on linen
25.5 x 37.5 in.

Benny Or, Homecoming (Khmer Figure, 9th Century, Cambodia), 2025, oil on linen, 40x30in_ed

Benny Or
Homecoming (Khmer Figure, 9th Century, Cambodia), 2025

oil on linen
40 x 30 in.

Azadeh Nia
Terrace, 2025

acrylic on panel
30 x 24 in.

Azadeh Nia
Soundless Desert, 2024

acrylic on panel
18 x 24 in.

Yifan Jiang, The Search, 2025, oil on canvas, 24 x 24_edited.jpg

Yifan Jiang
The Search, 2024

oil on canvas
24 x 24 in.

Henry Hung Chang, A Three-Year Journey to Pure Land, 2023, watercolor and gesso on paper m

Henry Hung Chang
A Three-Year Journey to Pure Land, 2023

watercolor and gesso on paper mounted on board
22.5 x 15 in. / 24.5 x 17 in. framed

Henry Hung Chang, The Odds Against a Misfortune, 2024, watercolor and gesso on paper mount

Henry Hung Chang
The Odds Against a Misfortune, 2024

watercolor and gesso on paper mounted on board

22.5 x 11.75 in. / 24.5 x 14 in. framed

Peter Hong Tsun Chang
Bulls Eye (Morning), 2024

oil on canvas
16 x 20 in.

Sylvia Trotter Ewens
Light’s Echo, 2025

oil on canvas
20 x 16 in.

Andrius Alvarez-Back, Be With Me (Not Here, Not There Either), 2024, dried Manila palm lea

Andrius Alvarez-Backus

Be With Me (Not Here, Not There Either), 2024

dried Manila palm leaves, pigmented beeswax, aluminum

160 x 28 x 28 in.

Andrius Alvarez-Backus

Touch Me in the Morning, 2023

birdseed, latex, glitter, found suitcase, silk ribbon, acrylic

24 x 96 x 36 in.

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